On G.I. Gurdjieff…

On Marcel Duchamp’s ‘Fountain’, Baroness Elsa von Freytag- Loringhoven, and tricksters…

On Evelyn Hofer’s ‘Dublin’ and The Beatles’ ‘Now and Then’…

On ‘the monk’, a 16th century automaton, and the work of Paloma Varga Weisz…

About animal pack-bands from Iran and the Irish ‘crios’…

About Kettle’s Yard, Jim Ede, and Winifred Nicholson

On Nils Økland, Lars Hertervig, Jon Fosse, and Werner Herzog’s ‘Heart of Glass’…

About Shadow, Peter Doig, and ‘liquid life’…

About Clarice Lispector and her ‘crônicas’…

On the film ‘Unrest’, Pyotr Kropotkin, and French market gardening…

The Hardanger fiddle, Knut Hamre, and Benedicte Maurseth…

Tang Yin, ‘wu wei’, and Michael Puett’s ‘The Path’…

About Mike Nelson, ‘Roadside Picnic’, and Tarkovsky’s ‘Stalker’

About Lisa O’Neill’s ‘all of this is chance’ and Patrick Kavanagh

About two films, ‘Aftersun’ and ‘The Quiet Girl’

Thoughts on scrapbooks, especially those made by Eric Ravilious and Edward Bawden

About ‘Franny and Zooey’ and ‘The Way of a Pilgrim’

About ‘Wren Day’ and Lankum’s ‘Hunting the Wren’

About The Unthanks and Ralph Vaughan Williams

‘Wood and Water’, Jonas Bak’s beautiful and sensitively modest film, concerns Anke, a widowed older woman, who is becoming ‘invisible’…