Tales from the Embassy
John Hutchinson John Hutchinson

Tales from the Embassy

Dave Tomlin, a musician closely involved with London’s 1960s counterculture, was living in a house in Lancaster Grove some years later when he was served an eviction notice. As he had done before when he needed to find a new place to stay, he set out on a walk, looking for abandoned homes, and his wanderings brought him down Avenue Road in Swiss Cottage…

Read More
Ghost Songs
John Hutchinson John Hutchinson

Ghost Songs

Dreams of perpetual economic growth and ever-increasing wealth are illusions, and they have blocked our awareness of the sufficiency that is already at hand. The world is being hollowed out and is turning ghostly…

Read More
Petrópolis
John Hutchinson John Hutchinson

Petrópolis

In 1940, Stefan Zweig rented a modest house on a hillside outside Petrópolis, near Rio de Janeiro, and lived there with his second wife, Lotte Altmann…

Read More
Grass-weaving and Psalm-singing
John Hutchinson John Hutchinson

Grass-weaving and Psalm-singing

Angus MacPhee was born in Nettlehole, near Glasgow, but his crofting family returned home to South Uist in the Outer Hebrides a few years later. As a young boy he loved working with horses and showed some talent in music and singing; he also learnt how to make ropes, horse-harnesses, and other useful things from the abundant marram grass that was to be found on the island.

Read More
Envelopes
John Hutchinson John Hutchinson

Envelopes

The opening sentence of Hojoki is an expression of mujo, the transience of things, and it echoes the succinct aphorism panta rhei, ‘everything flows’, which is attributed to the Greek philosopher Heraclitus…

Read More
Eric Clapton, Romain Rolland, and Rabindranath Tagore
John Hutchinson John Hutchinson

Eric Clapton, Romain Rolland, and Rabindranath Tagore

As one of the iconic rock musicians of the 1960s, almost all of Eric Clapton’s influences, as well as the challenges that he has faced and overcome, have been exhaustively documented and explored, but it is not widely known that he has much affection for Jean-Christophe, the ten-volume novel by Romain Rolland, published in the journal ‘Cahiers de la Quinzaine’ from 1904 to 1912.

Read More
Standing Still
John Hutchinson John Hutchinson

Standing Still

In a collection of essays entitled Art Can Help, the photographer Robert Adams writes about images that evoke beauty without irony or sentimentality, proposing that ‘it is the responsibility of artists to pay attention to the world, pleasant or otherwise, and to help us live respectfully in it’.

Read More
A Delicate Life
John Hutchinson John Hutchinson

A Delicate Life

In about 1923, John Craske began to make pictures of the sea and the coastline, painting on cardboard, wrapping paper, doors, mantelpieces, jugs, and crockery. He also made toy boats. Later, when he was not able to paint, he made embroideries while sitting upright in bed, supported by cushions. Their subjects are the same as those of his paintings – fishing boats tossed about in rough seas or beached on the shore, a lighthouse illuminating a ship in a storm, sailors being rescued by breeches buoy.

Read More
On the Margins
John Hutchinson John Hutchinson

On the Margins

Cheapjack, first published in 1934, is Philip Allingham’s account of the years he spent travelling around markets and fairgrounds in England.

Read More
A State of Grace
John Hutchinson John Hutchinson

A State of Grace

‘Four Roads’, by the Italian director Alice Rohrwacher, was filmed as an experiment during the first pandemic lockdown, using out-of-date stock and an old 16mm camera…

Read More
Gef
John Hutchinson John Hutchinson

Gef

Gef announced to the Irvine family, whose house he inhabited and who were the only people ever to have seen or spoken to him, that he was an ‘earthbound spirit’ and a ‘ghost in the form of a mongoose’.

Read More
Thought Forms (2)
John Hutchinson John Hutchinson

Thought Forms (2)

‘An Egoless Practice’, an article in ‘The Paris Review’ about a book called Tantra Song, is introduced with a description: ‘rendered by hand on found pieces of paper and used primarily for meditation, the works depict deities as geometric, vividly hued shapes and mark a clear departure from Tantric art’s better known figurative styles’…

Read More
Thought Forms (1)
John Hutchinson John Hutchinson

Thought Forms (1)

Thought-Forms - A Record of Clairvoyant Investigation, published in 1901 by the Theosophical Society in London, was written by Annie Besant and Charles Leadbeater, two leading figures in that organisation…

Read More
Treacle Walker
John Hutchinson John Hutchinson

Treacle Walker

Treacle Walker, Alan Garner’s recent novel, was published in his 87th year; its epigraph, borrowed from the Italian theoretical physicist, Carlo Rovelli, is ‘Time is ignorance’…

Read More
Getting Back
John Hutchinson John Hutchinson

Getting Back

‘Get Back’, the new edit of the 1970 film documentary ‘Let It Be’, takes up their story when the four Beatles, in different ways, had become a little tired and disillusioned…

Read More
The Old Days
John Hutchinson John Hutchinson

The Old Days

Fred Herzog liked the ‘grittiness’ and vitality of old Vancouver, then more obviously a port and frontier town, and his plain and evocative photos now read as elegiac images of a lost era in which people acted and lived differently, and where the streetscapes, while often rundown and melancholic, had undoubted character…

Read More
Mary of Magdala
John Hutchinson John Hutchinson

Mary of Magdala

The Gospel of Mary, written by an unknown author in the 2nd century CE and lost for over 1500 years, was discovered in Cairo as a fragmentary copy in Coptic translation and brought to Berlin in 1896…

Read More
Lament from Epirus
John Hutchinson John Hutchinson

Lament from Epirus

‘Authenticity’, writes Christopher C. King, is founded on social and musical knowledge that is related to place, past, and shared memory, and which creates continuity of perception and understanding…

Read More
Île Saint-Pierre
John Hutchinson John Hutchinson

Île Saint-Pierre

Shortly before his unexpected death, when asked by an interviewer where he felt most at home, W. G. Sebald replied that it was on Île Saint-Pierre…

Read More